Bharatmuni Rang Utsav 2024 finale brings the curtain down after four days of dramatic brilliance
Bharatmuni Rang Utsav, organized by Sahitya Kala Parishad, Government of NCT of Delhi, concluded its four-day theatrical celebration on a high note. This annual festival, showcasing the best solo and duet dramas, captivated audiences with compelling narratives and exceptional performances.
New Delhi, December 26, 2024: Bharatmuni Rang Utsav, organized by Sahitya Kala Parishad, Government of NCT of Delhi, concluded its four-day theatrical celebration on a high note. This annual festival, showcasing the best solo and duet dramas, captivated audiences with compelling narratives and exceptional performances.
The final day of the festival on December 26 featured three outstanding plays that brought depth, emotion, and introspection to the stage. The evening began with ‘Trishna, written and directed by Sampa Mandal, this play seamlessly interweaves the stories of Meera and Madhavi, two women from different eras bound by shared struggles and unfulfilled desires. Through poetic dialogues and evocative performances, Trishna explored the concept of reincarnation, delving into the eternal nature of the soul and its lingering aspirations. The narrative juxtaposed Madhavi's unfulfilled longing for Krishna with Meera's lifelong devotion, suggesting a karmic connection between the two. The use of Rajasthani language and a blend of poetry and prose added depth and authenticity to the characters, making it a standout performance.
The next play was Marnoprant, written by Surendra Verma and directed by Laxmi Rawat. This intense one-act play examined the complexities of relationships through the lens of loss and betrayal. The story revolved around two women—one the wife, the other the girlfriend of a deceased man—who met for the first time after his death. As they navigate their grief and confront their shared connection to the man, their emotional conflict unfolds through powerful dialogues. Originally conceived as a conversation between a man and his girlfriend, the adaptation into a dialogue between two women created a fresh dynamic, resonating deeply with the audience.
The event concluded with Digdarshak, written by Priyam Jani and directed by Sunil Chauhan. This poignant play delved into the mentor-protégé relationship, exploring themes of artistry, sacrifice, and authenticity. Set against the backdrop of their shared past, the story delved into the tensions between the stage and the camera as mediums of expression. The heartfelt reunion between the mentor and his protégé left the audience reflecting on the profound influence of art and the enduring bonds forged through creative pursuits.
The festival began on December 23 with a stellar lineup, including Asmanjas Babu (Satyajit Ray), Aakhiri Hila (Munshi Premchand), and Dhundh (Amul Sagar). Day 2 continued with equally captivating performances with Intzar (Saadat Hasan Manto), Purush, The God of Few Inches (Shuddho Banerjee), and Qissa Aadmi Ka (Abdus Salam Ansari). And day 3 raised the bar further with Khaali Botlein Khaali Dibbe (Saadat Hasan Manto), Hamlet Hartaj V/S The Co. (Mridul Chawla), and Mere Kabir – DastanGoi (Syed Sahil Agha), offering a mix of introspection, humor, and cultural heritage.
Bharatmuni Rang Utsav 2024 celebrated the rich legacy of Indian theatre, bringing together acclaimed playwrights, directors, and performers to create an unforgettable experience. Sahitya Kala Parishad thanks all participants and attendees for making this event a resounding success and looks forward to another year of theatrical brilliance.