Subhash Ghai chronicles his cinematic brilliance in new memory "Karma's Child" co-written with Suveen Sinha, published by HarperCollins

Mumbai: Subhash Ghai, celebrated as the ultimate showman of Indian cinema, takes readers on a remarkable journey through his cinematic brilliance in Karma's Child: The Story of Indian Cinema’s Ultimate Showman, co-authored with Suveen Sinha. Known for directing films that are a perfect blend of grandeur, strong storytelling, and unforgettable music, Ghai’s body of work transformed the landscape of Bollywood from the late 1970s to the 1990s. Out of the fifteen films he directed during this golden period, eleven—including Kalicharan, Vidhaata, Hero, Karma, Ram Lakhan, Saudagar, Khal Nayak, and Taal became blockbusters, immortalizing his name in Hindi cinema.

Subhash Ghai’s ability to helm multi-starrers with dream casts and introduce newcomers who would go on to become Bollywood’s brightest stars showcases his keen eye for talent and innovation. Whether it was bringing audiences back to the theaters during the peak of video piracy, pioneering the release of film music on audio CDs, or taking Hindi films to global markets, Ghai remained ahead of the curve. His creative genius not only defined an era of cinema but also left an indelible mark that continues to inspire filmmakers.

Today, Subhash Ghai’s legacy extends beyond filmmaking. As the founder of Whistling Woods International, India’s premier film and creative arts institute, he is nurturing the next generation of storytellers and visionaries. In Karma’s Child, Subhash Ghai reflects on his journey from a young man with dreams to a legend who crafted his destiny with the same dramatic flair as his films.

Speaking about the memoir, Subhash Ghai shares, "Countless stars are born in our film industry and just as many fade away. What you hold in your hands is the story of how a young man came from nowhere, faced the challenges before him, and carved his own path. This book is the story of the Hindi film industry as it unfolded before my eyes from the 1960s till today."